Lift the Vibe 333 by jennyrave

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2025-01-02 20:50

jennyrave

2025-01-02 20:50

https://www.academia.edu/43813081/THE_USE_OF_SOUND_FOR_CONTROL_HEALING_AND_EMPOWERMENT_Submitted_in_partial_fulfillment_of_the_requirements_for_the_Degree_of_Master_of_Fine_Arts_in_Electronic_Music_and_Recording_Media_Mills_College_2005
2025-01-02 20:51

jennyrave

2025-01-02 20:51

let me shorten that url
2025-01-02 20:51

jennyrave

2025-01-02 20:51

https://tinyurl.com/y5h2kmy3
2025-01-02 20:52

jennyrave

2025-01-02 20:52

This document discusses the use of sound as a tool for control, healing, and empowerment. It begins by outlining some military and law enforcement applications of sound-based non-lethal weapons, including devices that can disable targets using loud or disturbing sounds projected in beams. It then discusses the controversial use of subliminal messages and brainwave entrainment techniques. The author presents their own work using sound healing meditations and a recording incorporating subliminal messages and brainwave entrainment for self-empowerment purposes.
2025-01-02 20:53

jennyrave

2025-01-02 20:53

using jeskola buzz
2025-01-02 20:56

jennyrave

2025-01-02 20:56

so following in the foot steps of Dr. Tim Gray 333
2025-01-02 21:03

jennyrave

2025-01-02 21:03

Equalization was used to emphasize certain frequencies in each section, and each section was cross-faded by about twenty to thirty-five seconds with the section following it to create a seamless transition. For the performance, the composition was sent through two inputs of a stereo mixer with multi-band EQ, which was used to sculpt the dynamics of the live sound. The input to the other stereo channel of the mixer was provided by a laptop running a modular synthesis and real-time processing program called Jeskola Buzz. The software was used to create a real-time synthesizer environment controlled with a MIDI keyboard. The synthesizer environment consisted of two two-oscillator wave generators with ADSR envelopes and low frequency oscillator (LFO)-controlled lowpass (LP) filter. The generators were set to generate sustaining tones with slowly shifting dynamics and filtering. The output was then sent through a series of reverb, delay, LFO-controlled phaser and flanger, LFO-controlled resonant LP and bandpass (BP) filters, and EQ processors. Control of various parameters of the synthesizer environment were assigned to control knobs on the MIDI keyboard. The output was sent to two more inputs to the stereo mixer and mixed with the binaural beat composition. The synthesizer was controlled and played live during the Signal Flow performance. Tones were chosen which harmonized with the sine wave composition, mostly in fifths, and also to make slow slides of pitch. The tones would occasionally interact with the sine waves and produce additional beating frequencies which added unexpected elements to the texture. Creating a performance instrument to play in real-time along with the composed sequences of sine waves gave the performance a more dynamic and improvisational quality for me as well as a level of unpredictability interacting with the other layers.
2025-01-02 21:04

jennyrave

2025-01-02 21:04

The Signal Flow composition was entitled 333 and was performed in the Mills College Chapel. Four speakers were positioned around the audience so that the difference in left and right channels of the audio would be readily apparent no matter where the listener was seated due to proper stereo separation, and perception of the binaural beats would be insured.
2025-01-03 02:54

Custodian

2025-01-03 02:54

I remember stumbling across an album by Dr Jeffery D Thompson where he had developed a method for using the brain waves of highly creative people as a model for composing music. It was a very new age/ space music kind of album. extremely relaxing.
2025-01-03 03:12

jennyrave

2025-01-03 03:12

I’d try making music with my brain waves, but I’m pretty sure it’d just be a flatline remix.
2025-01-04 14:27

magmavander

2025-01-04 14:27

Very cool!! Sounds like a TV show with detectives in the 70's